Friday, July 29, 2011

Sega Movie Review


Rating: 3/5
It is a film that travels from being very self-conscious to some well directed parts in the end.

Plot
A jigsaw theme for a better looking title sequence and a girl walking into the sea started the digital projection.

A drunken father who comes home to an ill wife and hardly fed kids was what the sequence should have seemed like on paper, but, the visual ended up ill achieved mostly due to the bad dubbing and subtlety gone wrong. The father leaves the house after ransacking it for money and with one final line to the wife "Why don't you die already?"

The wife decides to end the pain and asks the older son to pass her the small bottle of poison which always comes in handy in scenes such as this (wonder why they have it in the first place).

Mom dies and the two sons are taken care of by their uncle. One goes on to pick up his uncle's profession (Balaji) as the younger one turns out to be the heroic vagabond (Karthik played by Nani). The uncle's house also has a girl who in time becomes one of the female leads (Revathi - Nithya Menon). And a friend from the locality (Vishnu - Karthik Kumar) completes the main cast.

What had happened to the father who abandoned his family? Drugs, female drug lords and a love interest with a sex worker fill in for the rest of screenplay with a smooth use of the non-linear narrative.

What sends you out unimpressed?
The first half had its moments of subtle humour, beautiful locales and the right costumes. What it missed out on was the actor's finishing touch to enhance everything around (when you are trashing somebody, hit them like you mean it).

And even the actors are not to blame completely, the Gautham Menonish voiceovers and a bunch of badly dubbed conversations should be credited.

What sends you out smiling?
You are out for a sip of the cola and you think to yourself while constantly listening to the other reviews around.

"It was a decent try, at least the cinematography was excellent. If only they had a complete package. It's a beautiful morning to spend some time at the cinemas. Wonder what the second half is like?"

And it did turn out to be a beautiful morning. The second half takes off instantly and keeps hitting the right notes on most occasions. Right note - right note - good enough - right note - a guitar driven action sequence and a bit of family killing drama to end it in a nice freeze frame.
                     
Actors
It was almost like the actors and the writers have been waiting for the second half to start working their magic and all of a sudden you don't want to find fault with the film.

Nani hadn't put up a clumsy performance as yet and doesn’t make any such promises too. A Telugu ACTOR at last. Nithya Menon blends right in to the lower middle class environ and never lets you question her.

Has to be best performance of the little known Karthik Kumar and for a change, Bindhu Madhavi is not that bad too.
                          
                       
Verdict
Let the visual treat you for the first half and wait for the screenplay to take over. And one other thing, the film runs for a precise 2 hours

Wednesday, July 20, 2011

Singham Review... This one is sure to roar at the box-office


The trend of atypical masala entertainers began all over again with WANTED, which was effectively emulated by the super-successful DABANGG. The larger-than-life hero knocks down 50 thugs and sends them flying in the air with just one punch. He romances the heroine. Puts his life at stake by catching the bull by the horns. Emerges victorious in the finale... Come to think of it, the Indian audience is starved for true-blue masala entertainers that were admired and revered in the 1970s and 1980s. Oh, can we ever forget the serpentine queues outside cinema halls to watch those movies, starring our fav stars? With SINGHAM, the Ajay Devgn - Rohit Shetty team goes back to their roots; both started with action films, if you recall -- PHOOL AUR KAANTE and ZAMEEN, respectively. SINGHAM is one of those earthy, traditional, uncomplicated masala movies that most of us grew up on. The protagonist of SINGHAM is not the desi version of James Bond, nor is he any kind of a superhero. 

SINGHAM pays homage to the action films of 1970s, which was known for the heroism, death-defying action sequences and pulse pounding thrills. It's an acknowledgement to one of the most successful genres of Bollywood -- action movies -- known for the trademark good versus evil themes and well choreographed stunts. Unlike many films recently, SINGHAM revives memories of the bygone era that stressed on raw action and was rich in fist-to-fist combat scenes. In fact, it has traces of action that Ajay's father [Veeru Devgn] and Rohit's father [Shetty] immortalized in their movies. But SINGHAM is a film of today, hence the stunts are extremely stylized and polished in keeping with the times. It's raw power presented in a slick demeanor.

Since the time the first promo of SINGHAM went on air, for some strange reason, I've heard people calling it yet another adaptation of DABANGG. The sole similarity between the two films is that both Salman and Ajay wear uniforms in the film. Also, like DABANGG, it's a hero-villain drama. But beyond these two factors, there's no commonality actually. For those who aren't aware, SINGHAM is the remake of the Tamil hit SINGAM, a role made memorable by the towering talent Suriya.
                                       
SINGHAM works for varied reasons: The conflict between the protagonist [Ajay] and antagonist [Prakash Raj], the high quality dramatic scenes, the raw action and of course, it mirrors the viewpoint of the common man on the rampant corruption, fraudulent politicians and spineless goons. In short, SINGHAM works as an entertainer, a complete package and if I may say so, it's Rohit Shetty's best work so far.

The backdrop is Shivgad, a small village on the border of Maharashtra and Goa. The film tells the story of an honest, diligent cop Bajirao Singham [Ajay Devgn], who fights against injustice and prejudice using his own ethics and principles. A sudden strike of destiny sets up Singham against the powerful criminal/politician Jaykant Shikre [Prakash Raj], challenging his morals and beliefs. Jaykant's powerful planning and force makes Singham land up in the ruling city of Jaykant Shikre, where he leaves no stone unturned to make Singham's life a nightmare to live.
                                 
Singham's supportive girlfriend Kavya [Kajal Aggarwal] and his tryst with late Rakesh Kadam's family [Sonali Kulkarni] makes him realize the importance to bring a change in the system by eradicating the root cause -- Jaykant Shikre -- by not going against the law of force, but by being a powerful part of it.

Though a remake of a super-successful film, director Rohit Shetty ensures that he keeps a tight rein on the writing of the film throughout those 2 + hours. Oh yes, the hero is spotlessly white and the villain, all black, but despite the fact that you know it all, there's no boring or humdrum moment at all. In fact, the drama and also the execution of the written material keeps you completely hooked to the proceedings. Also, Rohit proves that he can deliver a masala flick with as much ease and proficiency as he can deliver a slapstick comic caper.

I'd like to make a special mention of the action scenes [designed by Rohit Shetty and executed by Jai Singh]. At a time when most film-makers opt for action directors from abroad for gadget-driven thrills, SINGHAM goes for the desi flavor and it works luminously. The raw, hardcore action is easily amongst the high points of the movie. On many occasions than one, you have your hearts in your mouths while watching the scenes and what makes it really special is the fact that Ajay has done those death-defying and hazardous stunts himself.
                         
For any good versus evil film to click, it ought to have the protagonist and the antagonist on the same podium. In SINGHAM too, it's not just the hero who's powerful and mighty; the villain is equally ferocious. That's what makes the conflict all the more enjoyable -- it's a fight of the equals. Besides the sequences involving them, a number of dramatic sequences leave an indelible impression. Like the sequence when Ajay bashes up the goons who misbehave with Kaajal in a movie theatre. Also, the sequence between Ajay and the minister [Anant Jog] is terrific. And, of course, the finale, which is simply outstanding. The writing [screenplay: Yunus Sajawal], in a nutshell, is aimed at the masses and works big time.

But even roses have thorns and the aspect that doesn't really gel is the romance between Ajay and Kaajal. In fact, the romance-and-song routine comes across as a road block and mind you, it has nothing to do with the lack of chemistry between the two actors. It's because the drama is so powerful, commanding and omnipotent that you want every other aspect to be sidetracked. Ajay-Atul, who came up with a lilting soundtrack in the Marathi film NATARANG, don't get the opportunity to deliver a sparkling soundtrack in SINGHAM. Yet, the title track [rendered with a lot of fervor by Sukhwinder] is the sole track that works. Dudley's cinematography is eye-catching. Farhad-Sajid's dialogue are the icing on the cake, especially during the confrontational moments. I'd like to make a special note of Amar Mohile's effectual background score. It deserves immense praise!

The title means 'Lion' and Ajay is in the centre of the battle between good and evil. The embodiment of screen masculinity, Ajay enacts the central character of a righteous, hardhearted cop with flourish. He brings alive on screen a larger-than-life hero character with determined conviction, which renders you thunderstruck. One of the few actors who underplays his part admirably, he returns to the over-the-top-action genre of films with this one. In a nutshell, his performance plays a pivotal role in carrying the film to the winning post.
                            
Kaajal doesn't really get much of an opportunity to prove her talent and the film cannot be regarded as an ideal Bollywood debut for her. However, it's not the amount of screen space that she gets, but it's all about the quality work she delivers in that much time and space. This may be an out-and-out Ajay-Prakash Raj film, but she makes her presence felt nonetheless. Prakash Raj is simply marvelous and in fact, walks shoulder to shoulder with Ajay in dramatic scenes. The film has a number of actors in supporting roles and the ones who register the maximum impact are Sonali Kulkarni, Ashok Saraf and Govind Namdev. Amongst negative characters, Ashok Samarth, Murli Sharma and Anant Jog are most effective. Sudhanshu Pandey leaves a mark in a cameo. Sachin Khedekar's comedy track doesn't work at all.

On the whole, SINGHAM is a full-on masala film that works big time for varied reasons: The energetic drama, the terrific confrontations, the raw stunts and of course, for the three 'heroes' -- Ajay Devgn, Prakash Raj and director Rohit Shetty. It's a complete package of entertainment for the masses and devoted fans of masala movies. This one is sure to roar at the box-office. It has Blockbuster written all over it

Rating: 4/5

Friday, July 15, 2011

Th Real Hero.... Brahmi







Harry Potter finale is stunning; a splendid affair




Film: Harry Potter And The Deathly Hallows: Part II
Director: David Yates
Cast:Daniel Radcliffe, Emma Watson, Rupert Grint, Alan Rickman, Maggie Smith, Helena Bonham Carter, Michael Gambon, Ralph Fiennes and others



Rating: ****

SPOILER ALERT (For those who haven't read the final book).

Take a book series spanning a decade. Add to it a movie franchise spanning another. Double the expectations for those who've read the books and watched the movies. Plus, another set of fans acquired solely through the films. Multiply by seven, nay, eight parts. Don't bother with the calculations.

Harry Potter And the Deathly Hallows: Part II, eighth and final part of the film franchise (and second part of the seventh book; let's just call it HP8) isn't just another movie. It's an event. Director David Yates takes it upon himself to hold our hands and take us through to the end. And he does a fantastic job of it. If this was the N.E.W.Ts, he would surely "exceed expectations".

HP8, let me tell you right away, is stunning. It's also terribly entertaining, keeping you at the edge of the seat through it's run time, touching a chord, drawing a tear; the works. It has some amazing SFX, enough action to thrill, and emotions to pull the right (heart)strings. The combination of these three makes the finale a splendid affair.

I remember being slightly disappointed with the final Harry Potter book, only because the sixth one had kept me riveted and I expected the final chapter to go one up on it. Expectations were massive; meeting them would have been extraordinarily difficult for Rowling. But Yates does what Rowling didn't (for me, at least).

Of course, Rowling's material itself had it all: the ultimate test of courage, loyalty to friends, importance of loved ones, the final twist in the plot, defeat of all things evil, triumph of the good. Even then, to bring all strands together and mount them on the big screen must have been no mean feat. Producer David Heyman did a good job of executing Rowling's vision on celluloid through the series, and Yates makes sure it ends on a high.
                     
The Harry Potter movie franchise, in my opinion, came into its own only after Yates took over the directorial baton. I liked what Alfonso Cuaron did withPrisoner of Azkaban, but Order Of The Phoenix was the first Potter film I truly enjoyed. Yates, of course, had the luxury of bringing in a certain 'adult' flavour, keeping with the darker nature of subsequent books. But like original director Chris Columbus said in one of his interviews, the series "grew with Yates."

Potter's grown too. And this is his final face-off with Voldemort. You know the set-up: It all ends this time. But along the way, some secrets are revealed, and sacrifices made. After the death of Dumbledore, the Death Eaters have taken charge of Hogwarts while Harry, along with best friends Ron and Hermoine, is in search of horcruxes. Much of this was established in part 7, which laid the foundation for the marathon battle between Death Eaters and Harry's friends in the eighth part.

Wands are drawn, spells cast, and mayhem ensues as Hogwarts becomes a battlefield. Most of part 8 is pure action, but the beauty lies in the underlying emotions. Just after Harry is briefly declared dead and Voldemort is celebrating victory, Neville Longbottom delivers a blood-curdling cry for the battle to continue. It's among the hair-raising moments that you were promised. And that are delivered to you.

Or the pensieve sequence where Harry learns the truth about Snape. It's superbly executed. When Harry uses the Resurrection Stone to bring back his parents, Sirius Black and Remus Lupin - if only for a brief while before he meets his fate: death - a lump in the throat is guaranteed. These moments make HP8 sparkle.
                       
Yes, the epilogue does take away some of the magic (it did in the book too), and not enough CGI can make Harry, Ron, Hermione and Ginny Weasley look 19 years older, without it being too weird. Grint and Watson don't have much to do with the focus almost entirely on Potter this time (more than in earlier parts), and they go through the motions. Matthew Lewis, as Longbottom, stands out. Maggie Smith, Alan Rickman, Gary Oldman, Helena Bonham Carter - each of them a veteran, each of them bringing something to the table one final time.

If anyone wondered how any actor other than Radcliffe (if chosen a decade ago to play the coveted lead) would have played Harry Potter differently (even better), can stop doing so. Radcliffe seems to have charted a route similar to Potter - a clueless kid with potential at the onset, but a seasoned pro by the time it ends. In his final duel with Voldemort (Fiennes, menacing as always), Radcliffe summons all he has to come across as equally powerful as Voldemort himself, and does a great job of it.

Harry Potter And The Deathly Hallows: Part II, and director Yates, manage to live up to the gargantuan expectations fans the world over have attached to the finale. That, in itself, is quite an achievement.

Watch it for two hours of relentless entertainment. And for Dumbledore's final words: "Of course it is happening inside your head, but why on earth should that mean that it is not real?" Classic.

Don 2 First Look.... SRK Rocks

Zindagi Na Milegi Dobara Movie Review



By and large, after graduating from school/university, before one steps into a fresh phase in life, friends do settle on having some fun… It could be an extended bachelor party. It could be an excursion. Living each moment to the fullest is what most of us are thinking at that point of time. ZINDAGI NA MILEGI DOBARA is also about living each precious moment, as if there's no tomorrow. It's a film that also deals with surmounting and overpowering our personal fears. In this case, it changes the lives of three youngsters who embark on a road trip to Spain.

Zoya Akhtar represents the new brigade in Bollywood. But the talented storyteller is mired in controversies pertaining to ZINDAGI NA MILEGI DOBARA. Is it similar to HANGOVER? Or is it a present-day adaptation of Farhan Akhtar's directorial debut DIL CHAHTA HAI? 


Sure, ZINDAGI NA MILEGI DOBARA is a buddy film like DIL CHAHTA HAI or like any other film that focuses on friends. But comparing DIL CHAHTA HAI and ZINDAGI NA MILEGI DOBARA won't be correct. For, the difference lies in the fact that the individuals in both the films face diverse problems. Aamir, Akshaye and Saif's dilemma is different from that of Hrithik, Farhan and Abhay. Perhaps, people tend to draw parallels between the two films because both focus on male bonding and are also produced by the same production house [Ritesh Sidhwani, Farhan Akhtar]. While DIL CHAHTA HAI was about the friendship between three youngsters and the individual journey each of them undertakes subsequently, ZINDAGI NA MILEGI DOBARA is poles apart in terms of content [screenplay: Reema Kagti and Zoya Akhtar] as well as execution of the written material. 


There's concern that ZINDAGI NA MILEGI DOBARA caters to the urban centres of India chiefly. People beyond the metros wouldn't be able to relate with the goings-on. Sure, ZINDAGI NA MILEGI DOBARA is a refined film, a metro-centric film primarily, so what's wrong with that? Yes, it's unlike the masala films some of us relish with glee. But if masala means entertainment, amusement, hilarity, escapade, emotions and drama, yes, ZINDAGI NA MILEGI DOBARA has it all. Only thing, it's treated differently. Everyone has his/her style of interpreting a tale, after all. 
                           
ZINDAGI NA MILEGI DOBARA is real and can be rightly termed as a slice of life film. The protagonists don't play 'heroes' in the conventional terms; they are not presented as larger than life here. Zoya's ability in bringing offbeat elements in mainstream cinema needs to be applauded and appreciated. Zoya understands the intricacies of human behavior, which was evident in her debut film, and ZINDAGI NA MILEGI DOBARA strives to impeccably integrate authentic characters and bona fide situations on celluloid.

But the film is not without its share of blemishes. To start with, the drama is missing in the first hour. In fact, the first half comes across as a collage of some well executed sequences. Also, the comic scenes fail to evoke mirth. The three protagonists' attempt to scare strangers in a restroom, bar and on a lonely street doesn't gel well with their suave personalities on-screen. However, if the intention was to evoke laughter, sorry, these scenes fall flat. Besides, mocking at Doordarshan seems out of place and also appears in poor taste. Most importantly, the first half comes across as a showreel to promote Spain Tourism.

Another aspect that goes against the film is its running time. One tends to get restless after a point. In addition, the pacing is lethargic at places and it also gets talk-heavy. Zoya could've been ruthless in bringing down the length of the film. It would've only been more impactful. 



Three young men take a holiday that changes their lives forever. Kabir [Abhay Deol] is engaged to Natasha [Kalki]. Kabir decides to go on an extended bachelor party, before he gets married. A 3-week road trip with Imraan [Farhan Akhtar] and Arjun [Hrithik Roshan], his two best friends since school. The only problem is Arjun is too tied up with work. After much emotional blackmail and cajoling, the boys set off on a journey they were meant to take four years ago. A fantasy holiday they had planned to take after college, which never happened. A road trip where each one gets to do the ultimate sport of his choice and the other two just have to do it with him. Whether they want to or not!

Kabir, Imraan and Arjun meet up in Barcelona and set off on an adventure that not only make them iron out their differences, but also face their fears, alter their perception, unravel their fabric, force them to break out of the box and teach them to seize the day. This holiday changes their lives forever.

A travel film is tough to shoot. And it gets all the more difficult when you have a story involving multiple characters. Unlike LUCK BY CHANCE, Zoya does something visually and thematically diverse this time around. In ZINDAGI NA MILEGI DOBARA, Zoya chooses an attention-grabbing story and garnishes it well with moments that may seem straight out of a person's memoirs. In fact, it's a completely novel take on comrades and camaraderie. While the first half has several wonderful moments [the strain between the two friends is well presented], the post-interval portions -- right till the well-thought-of culmination -- keeps your attention arrested. 



Reema and Zoya have penned the script with a lot of care and concern, borrowing incidents from real life. Besides, the fresh dialogue [Farhan Akhtar] augment the impact of numerous sequences. The exquisite cinematography is another aspect that catches your attention. The spectacular locales of Spain have been captured on celluloid with dexterity by Carlos Catalan. In an era where earsplitting and tawdry tunes are working big time, Shankar-Ehsaan-Loy come up with tunes that the youth would take a fondness for instantaneously. The songs that appeal the most are 'Ik Junoon' and 'Senorita'.                                    
The film boasts of an exuberant on-screen ensemble cast. As a matter of fact, it's an unusual mix of actors who are not prisoners of any image as such and one is curious to see how well they coagulate in this film. Hrithik takes up challenges for himself with every project he chooses to do and tries to outdo himself by pushing his limits. He is in terrific form here, interpreting an extremely intricate and exceptional character fluently, channelizing every emotion in the book through his eyes. The much-talked-about kissing scene in the film is also aesthetically filmed.

Farhan's character is totally different from his previous roles since he is playing the funster here. But beneath all the fun and jokes is a person who's looking for answers. He's concealing something even from his buddies, something that's disconcerting him persistently. Again, for someone who's not a veteran at acting, this is a character that needs to be handled with a lot of understanding and Farhan, thankfully, gets it right. In fact, Farhan is quite a scene-stealer on more occasions than one.

Abhay's choice of roles has always been offbeat and ZINDAGI NA MILEGI DOBARA reaffirms his stand on the kind of movies he wants to be associated with. Enacting the role of a rich, well brought-up youngster, Abhay is in supreme form, striking a super balance between light and dramatic moments. In fact, Abhay portrays the role with plentiful charm and magnetism. 



Katrina is a revelation. In fact, the actress continues to surprise you with her performances in film after film. Besides making an impact as a glamour girl, she's all out to prove her mettle as an actress of substance with ZINDAGI NA MILEGI DOBARA. Kalki plays a Mumbai girl belonging to the upper crust and though it's not a typical 'heroine' role, Kalki infuses life into the character, fitting into the conceived character accurately. Naseeruddin Shah is remarkable in a cameo and so is Deepti Naval. Ariadna Cabrol doesn't get much scope.

On the whole, ZINDAGI NA MILEGI DOBARA has its share of plusses and minuses, highs and lows. It's definitely not for ardent fans of kitsch or those with an appetite for typical masala entertainers. This one's more for spectators with refined tastes and sensibilities. It's a film for a more evolved, mature and cinema-literate audience that's geared up to embrace and support newer genres of cinema.
 

Chatur Singh Two Star First Look


Mere Brother Ki Dulhan First Look


Monday, July 11, 2011

Windows 8 Metro SP1 New Edition









This version comes with updated Windows 8 build 7959 and Metro inspired UI themes so you can choose which one is your favourite. Windows 8 is getting real close to Beta now so this could probably be the last release before merging into main Seven Transformation Pack to be different product.Windows Server 8 build 7959 has leaked and to be the first build from Milestone 3 that the public has got its hands on.
Build 7959 of Windows 8 was made available on private FTP sites but at the time of publishing it should be arrive on the usual torrent and file sharing sites and  is a 64-bit server version of Windows 8, and not a client version like the builds that have leaked in the past. Windows 8 have leaked to the web with the most recent one being Build 7959 and Microsoft were not too happy about this.It all began when Microsoft gave its partners access to Windows 8 builds on Microsoft Connect and a rumor suggests that Windows 8 will arrive on January 7, 2013.

                            


Details
Code name: Windows 8 Metro
Language: English US
Size: 3.59 GB (3,861,983,232 bytes) ISO
MD5: 054326643ec1486c279b848a19d37fcf
SHA1: d5578f2a29e92f7524e3fc942626643fabceaa99
CRC32 20502bbe
Architecture: 64-Bit
Version based: Windows 7 Ultimate SP1
License: 30 days trial

                              
Visual Customization & audio

New Windows Media Player skin
New windows media center skin
New icons
New windows sounds
84 RocketDock themes
New RocketDock Icons
New Logonscreen

                                    
Components removed.

Ease of Access Center
Clear Type Tuner
Infrared File Transfer Application
Mobility Center
On-Screen Magnifier
People Near Me
Projector Connectivity
Speech Recognition
Welcome Center
Sample Music and Videos
Sample Pictures
Sound Recorder
Windows Remote Assistance
Remote Desktop Connection
Natural Language
Narrator=True
On-Screen Keyboard
TabletPCOC
Windows Help
Snipping tool

                               
Applications Installed

7 zip 9.20
Adobe Flash Player 10 ActiveX
Adobe Flash Player 10 plugin
Adobe shockwave Player 11.5
Gimp 2.6.1
java v 6.0.240
RocketDock 1.3.5
Rainmeter
Internet Explorer 9
Notepad2 v4.2.25-rc5
Notepad++ V5.8.7
Microsoft Silerlight V4.0.60129.0
Microsoft .NET Framework 4 Extended 4.0.30319
Microsoft Visual C++
Taskbar user pic
Metro Home

Friday, July 8, 2011

Murder 2 Review....Rating 4/5



We live in an era wherein brands and franchise have become the order of the day. When a movie works with the audience and also has strong recall value, the film-makers plan to keep the franchise breathing by either making a prequel or sequel. Though MURDER had released more than seven years ago [April 2004], it continues to linger in public memory for varied reasons and not only for its sizzle factor. MURDER had a spellbinding story, great music and proficient performances by its principal actors. In fact, MURDER catches the attention of spectators to this date and obtains high TRPs, despite several telecasts on TV. 'Tremendous repeat value', like they say in filmi parlance.

Mahesh Bhatt and Mukesh Bhatt choose not to make movies with big stars. Instead, they substitute stars with big initiatives and innovative concepts. In fact, their penchant to work with a new cast and crew is simply unstoppable. Besides, the success ratio indicates that their strategy has paid off rich dividends even with fresh talent. What sets apart their films, besides the above said reasons, is the fact that their films are high on sexual content. An innovative story with generous doses of eroticism has always proved a winning blend. 


The Bhatts' new offering is the sequel to MURDER. This one's set in Goa during Christmas and New Year, when vacationers flock this hugely popular touristy destination. The bustling streets and beaches make it impossible for the authorities to keep tabs on everyone and everything. A serial killer is on the loose... An interesting concept, without doubt! 
                          
Before I begin analyzing MURDER 2, let me clear a few misconceptions. The writer of this film may have drawn some inspiration from the Korean film THE CHASER [2008], but it's not a blatant rip-off. Nor is it a remake or adaptation of the American action film 12 ROUNDS [2009]. MURDER 2 deals with the crimes related to the flesh trade and exposes the murkier side of the society. 


MURDER 2 offers edge of the seat entertainment, thus taking the MURDER brand forward. It's not a sequel in the true sense of the word. It has a completely new story to tell with fresh characters, is bolder and far more erotic, plus the clash between the good and the evil is one of the key components of the franchise.

Mohit Suri, who had directed the sequel to RAAZ [RAAZ THE MYSTERY CONTINUES], is also entrusted the responsibility of taking the MURDER series forward. Compared to what Anurag Basu did in MURDER, MURDER 2 is a dark film. Mohit is an efficient, stylish storyteller and he leaps notches above the prequel in every aspect. There are some scenes that may appear disturbing, but that's the strength of this movie. It's not for the weak-hearted. In point of fact, Mohit and writer Shagufta Rafique take the story to a heightened violent level.

Arjun [Emraan Hashmi] is an ex-cop who earns his bread doing the odd jobs for gangsters and flesh traders. Arjun meets Sameer, a Goan flesh-peddler, who has been suffering a huge loss as his hookers have been disappearing mysteriously. He assigns Arjun the responsibility of tracing the missing girls. Priya [Jacqueline Fernandez], a model, loves Arjun. However, he is hesitant to commit to this relationship.  
 
Arjun realizes that the missing hookers are connected by one cell phone number. He decides that in order to catch the lion one must feed him the lamb. He devises a plan that involves sending a girl to the particular customer.

Reshma [Sulagna Panigrahi], a college student, takes to prostitution to support her family. She becomes the innocent prey and is sent to the antagonist Dheeraj's [Prashant Narayan] house. The unexpected happens. In the meantime, Arjun and Dheeraj cross paths. Arjun gets into a tiff with Dheeraj and they both land up at the police station. Dheeraj admits to a crime so heinous that even the police are stunned by his outrageous behavior.



Now it's all up to Arjun. He has just one night to find proof against Dheeraj and also trace Reshma.

Director Mohit Suri and writer Shagufta Rafique come to the point at the very start, when a gruesome murder takes place. Thereafter, we are introduced to the varied characters in the plot and what makes it all the more interesting is that all characters are either grey or black. Also, the identity of the serial killer is never concealed, but the motive is, which one realizes much later. It comes as a jolt, honestly!

While the screenplay gives you no time to ponder since it unravels at a feverish pace, the assorted characters and their tracks keep you on tenterhooks throughout. The victim finds herself cornered, the ex- cop is looking for evidence, the serial killer finds himself being shielded by a powerful and influential person... the sequence of events that lead to the culmination are truly nail-biting.

On the flip side, the story stagnates slightly towards the beginning of the second hour. The sequence between Emraan and Jacqueline at the former's home, with Jacqueline in an inebriated state, appears like a forced add-on. Also, one misses the chartbusting 'Bheege Honth Tere' kind of track in this hour, since the two songs that are hugely popular have been placed in the first hour. 



Director Mohit Suri reignites the flicker that he illustrated in his early films. He's a skilled, competent storyteller and this film reiterates the fact yet again. Ditto for writer Shagufta Rafique, who's supremely talented as well. Though she may seem inspired from a source, Shagufta gives MURDER 2 her own color and shade. Both Mohit and Shagufta push the limits in terms of the characters and the situations that have been created. You just can't guess what's up in store next, which has ample scenes that would leave you startled and dazed. The Bhatts have always had a good track record as far as music goes and MURDER 2 is no exception. If one avoids comparing the soundtrack with the prequel, this film has a rich soundtrack that works well. 'Haal E Dil' [music: Harshit Saxena] and the track filmed on Yana Gupta at the onset, 'Aa Zara' [music: Sangeet Haldipur-Siddharth Haldipur], are first-rate compositions. Ravi Walia's cinematography is top notch.

Both Emraan and Prashant Narayanan vie for top honors. Emraan delivers a spirited performance, playing the angry guy to perfection. He's so with the character. In fact, this would rank amongst Emraan's most accomplished performances. Prashant is a dynamic actor -- a fact that has been proved time and again. This film is sure to make people sit up and notice this wonderful talent. Stepping into Mallika's shoes in the sequel is Jacqueline. Like Mallika, she takes the boldness quotient to the next level with her sexy avatar. She should grab a lot of eyeballs for the oomph factor, while her performance is decent. In fact, she gets little scope to display histrionics, but she makes a sincere attempt to portray her character with care. 

                                                 
Sulagna Panigrahi is a talent to watch out for. She's first-rate. Sudhanshu Pandey enacts his part with a lot of confidence. Sandiip Sikcand surprises with a stellar act. Though a brief part, his performance adds a lot of spice to the proceedings. Shweta Kawatra shines in that lone sequence. Yana Gupta sizzles in the opening track.

On the whole, MURDER 2 is one of the finest crime stories to come out of the Hindi film industry. Also, as a film, it lives up to the expectations that you may associate from a sequel of a smash hit. This one's bolder, more erotic and has a story that will astound and astonish you. The Bhatts have a winner on hand!